PHILADELPHIA—Quickly turning what had been an orderly demonstration into a violent melee, a peaceful protest Friday was reportedly interrupted by a swarm of aggressive, black-clad militants. According to bystanders, the protesters had been marching and chanting without incident when they were suddenly set upon by the hostile militants who wielded blunt weapons and concealed their faces. Those who witnessed the event stated that the unprovoked aggressors seemed to have arrived planning to engage in some sort of violence, as evidenced by their protective padding and combative demeanor. Sources also confirmed that several of the militants surrounded an unarmed protester and severely beat him, and that some of the attackers also used slurs and threatening rhetoric while disrupting the peaceful march. At press time, outraged community members were demanding to know why none of the militants had been arrested.
This update is fucked.
I’m posting this primarily for sex workers who are going to be majorly at risk because of this bullshit, but honestly, I would suggest everyone turn on ghost mode or just delete the app.
Iconic and unsung film posters created for Janus Films in the 70’s by Dot Graphics, the award-winning Denver-based design team of Lee Reedy and Robert Clayton. Across over two-dozen posters, Dot Graphics created bold and powerful key art for masterpieces of foreign cinema, showcasing their skill in typography, illustration, and art direction, old-school and computer-free. Years before the launch of The Criterion Collection, Reedy and Clayton foreshadowed a new graphic approach to film advertising in the arthouse industry.
the aesthetic of american far right christianity is horrifying
run-down signs screaming about hell in the middle of nowhere is my aesthetic though
You don’t know true pants-shitting fear until you’re driving in the middle of nowhere, not a single sign of civilization as far as the eye can see, haven’t seen another living being in three hours, and then out of nowhere suddenly looms a half-destroyed barn with the words “HELL IS REAL” painted on what remains of the roof.
I’ll be honest, you could say most of these were from a horror game and I wouldn’t doubt you.
Implying America isn’t a horror game lately.
America isn’t a game. It is just a horror.
Visible from i-40, between Interstate 40 and old Route 66, the Groom, TX cross
Hartfield was freed from prison because Texas finally gave up trying to find a valid reason to keep him there. He had waited 35 years between trials without a conviction, a prisoner simply forgotten for decades in the state’s massive justice system.
